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Their book features artists working in a variety of media from painting, sculpture and drawing to ceramics, installation art and sound art. Artists featured include British Turner Prize-winning painters Lubaina Himid and Chris Ofili; renowned South African visual activist Zanele Muholi; Nigerian sound artist Emeka Ogboh; Sudanese painter Kamala Ibrahim Ishag; Kenyan-British ceramicist Magdalene Odundo; African-American artists Kerry James Marshall, Faith Ringgold, Amy Sherald and Kehinde Wiley; performance artist Harold Offeh; and moving image artist Larry Achiampong.\u003cbr\u003e \u003cbr\u003eThe result is a refreshingly contemporary celebration of Black artists at work today that will serve as inspiration to a new generation of aspiring young artists. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eProduct details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLanguage: English \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e Binding: Hardcover \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e Length: 144 pages \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e Dimensions: 180 x 250 mm (portrait)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e Publisher: Thames \u0026amp; Hudson (2021)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb id=\"docs-internal-guid-f52941b4-7fff-a35a-e82e-1075448b452d\"\u003eISBN- 978-0-500-65259-6\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":49894653001959,"sku":"HMI-Books-Black Artists Shaping the World","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/blackartistsshapingweb_jpg.png?v=1733915878"},{"product_id":"monsters-what-do-we-do-with-great-art-by-bad-people","title":"Monsters: What Do We Do With Great Art By Bad People?","description":"\u003cdiv class=\"pdp-waterstones-says\"\u003e\n\u003cp\u003eA forensic and incisive exploration of the relationship between creativity and morality, Dederer's volume questions to what extent it is acceptable to appreciate the art of monstrous individuals in a supposedly compassionate society.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv itemprop=\"description\" id=\"scope_book_description\"\u003e\n\u003cp\u003ePablo Picasso beat his partners. 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The translations beautifully convey the warmth and friendliness of the original Dutch whilst maintaining a style that is inimitably Miffy.\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eProduct details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBinding: Hardback\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength: 32 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDimensions: 155 x 155 mm\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePublisher: Simon \u0026amp; Schuster Ltd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eISBN: 9781471120770\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":55080515469687,"sku":"SH1296","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/Miffy-at-the-Gallery.jpg?v=1743522899"},{"product_id":"helen-chadwick-life-pleasures","title":"Helen Chadwick Life Pleasures","description":"\u003cp\u003eHelen Chadwick (1953–1996) embraced the sensuous aspects of the natural world, breaking taboos of the ‘traditional’ or ‘beautiful’. 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A central premise is that a shift in the aesthetic engagement afforded by hybrid forms of contemporary art has the potential to open up new sensory and cognitive engagements for blind and partially blind people. This is a subject that has rarely been addressed within the literature on contemporary arts or disability studies.\u003c\/p\u003e\n\u003cp\u003eBringing together leading international scholars and artists in the emerging field of ‘blindness arts’, including blind and partially blind artists, curators, advocates for inclusive practices and models of audio description, cognitive psychologists, and theorists of installation, performance and sound art, the book offers a detailed consideration of exemplars of such multisensory engagement, pre-eminently in works by blind or partially blind artists. In so doing, the book not only shifts the discussion on access and inclusivity – reconceiving access as integral to the creative process – but argues that this has the potential to enrich the experience of art for all beholders, moving beyond an often-unexamined reliance on vision.\u003c\/p\u003e\n\u003cp\u003eEdited by Ken Wilder and Aaron McPeake.\u003c\/p\u003e\n\u003ch2\u003eProduct details\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBinding: Softback\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength: 420 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDimensions: 223 x 147mm (portrait)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePublisher: UCL Press\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eISBN: \u003cspan class=\"a-list-item\"\u003e978-1800088832\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":56248808145271,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/Beyond-the-Visual-book.jpg?v=1764245556"},{"product_id":"beholding-situated-art-and-the-aesthetics-of-reception","title":"Beholding: Situated Art and the Aesthetics of Reception","description":"\u003cp\u003e\u003ci\u003eBeholding\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003econsiders the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. These are works which demand the 'beholder's share', but not, as Ernst Gombrich famously claimed, to sustain an illusion. Rather, \u003c\/span\u003e\u003ci\u003eBeholding\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ereconfigures Gombrich's notion of the beholder's share as a set of 'licensed' imaginative and cognitive projections.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach chapter frames a particular work of art from the remit of a complementary theoretical text. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder's orientation into play. The book engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art. 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It investigates how it became one of today's most widely used art forms, increasingly expanding into consumer, popular and urban cultures, where the installations' often spectacular appearances ensure that they fit into contemporary demands for sense-provoking and immersive cultural experiences. Making an important contribution to the development of the critical and theoretical discourse on installation art, Ring Petersen addresses a series of basic questions: What is an installation? What techniques does it employ? How does installation art affect its viewers? How can we explain the rise of installation art in a cultural-historical perspective? Answers to these questions are pursued through analyses of installation art's spatial, temporal and discursive aspects as well as its reception aesthetics and cultural-historical contexts, and through analyses of a large number of works from a variety of sub-genres, including performance installations, video installations, installational exhibitions and recent use of installation in commercial contexts, including by artists such as Bruce Nauman, Olafur Eliasson, Mona Hatoum, Pipilotti Rist, Ilya Kabakov, Superflex, Thomas Hirschhorn, Carsten Höller, Terike Haapoja and ART + COM.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eProduct details\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBinding: Paperback\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength: 430 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDimensions: 165 x 241 mm (portrait)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePublisher: Museum Tusculanum Press\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eISBN: \u003cspan class=\"a-list-item\"\u003e9788763542579\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":56306788991351,"sku":"HMI-BOOKS-BTV-INSTALLATIONART","price":56.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/installationart_61058fd3-6d84-4fd8-8707-b8bf05c00990.jpg?v=1770716925"},{"product_id":"notes-on-blindness","title":"Notes on Blindness","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eDays before the birth of his first son, writer and academic John M. Hull started to go blind. He would lose his sight entirely, plunged into darkness, unable to distinguish any sense of light or shadow. Isolated and claustrophobic, he sank into a deep depression. Soon, he had forgotten what his wife and daughter looked like.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eNotes on Blindness\u003c\/span\u003e\u003cspan\u003e, John reveals his profound sense of loss, his altered perceptions of time and space, of waking and sleeping, love, and companionship. With astonishing lucidity of thought and no self-pity, he describes the horror of being faceless, and asks what it truly means to be a husband and father. 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Acclaimed by luminaries such as Jacques Derrida, her writing has nonetheless been misunderstood and misread, to a surprising extent. With the inclusion of Stigmata, one of her greatest works into the Routledge Classics series, this is about to change. Questions that have long concerned her – the self and the other, autobiographies of writing, sexual difference, literary theory, post-colonial theory, death and life – are explored here, woven into a stunning narrative. 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Focusing on artists working between 1960 and 2000, the book shows how we have become restricted by a hierarchy that values sight and reason above other senses, and how encounters with food in art can help us break this bind. By putting food at the center of the highly visual art world, the artists in this book quicken a range of sensations beyond visual perception, helping us access and liberate aspects of our experience that have been ignored or suppressed. Topics include Carolee Schneemann’s performance pieces using meat; the way in which Hannah Wilke rejects the imperative for women to be “sweet”; Zoe Leonard’s exploration of decomposition as process; Adrian Piper’s conceptual work incorporating hamburgers; the SoHo artists’ restaurant FOOD; Agnes Denes’ wheat field near Wall Street; and how other artists, such as Sarah Lucas and Andy Warhol, introduce the iconography, foods and desires of the working class into the rarefied environment of the gallery and museum.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLondon-based writer \u003c\/span\u003e\u003cb\u003eEllen Mara De Wachter\u003c\/b\u003e\u003cspan\u003e is the author of \u003c\/span\u003e\u003ci\u003eCo-Art: Artists on Creative Collaboration\u003c\/i\u003e\u003cspan\u003e and the coauthor of \u003c\/span\u003e\u003ci\u003eGreat Women Artists\u003c\/i\u003e\u003cspan\u003e (both published by Phaidon). Her writing has featured in publications including \u003c\/span\u003e\u003ci\u003eFrieze\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eArt Quarterly\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eArt Monthly\u003c\/i\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003ci\u003eWorld of Interiors\u003c\/i\u003e\u003cspan\u003e and the \u003c\/span\u003e\u003ci\u003eWhite Review\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePaperback with flaps\u003cbr\u003e7 inches x 9.25 inches\u003cbr\u003e240 pages including 60 images\u003cbr\u003ePrinted sustainably in Spain\u003cbr\u003eISBN # \u003c\/em\u003e\u003cem\u003e978-1-9549570-4-6\u003c\/em\u003e\u003c\/p\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":56315309818231,"sku":null,"price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/Picture1_8cadb344-e81e-41e7-b704-d1a1d1d2c025.jpg?v=1770716704"},{"product_id":"hardback-beyond-the-visual-multisensory-modes-of-beholding-art","title":"SIGNED HARDBACK Beyond the Visual: Multisensory modes of beholding art","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eBeyond the Visual\u003c\/em\u003e broadens the discussion of multisensory ways of beholding contemporary art, with a particular emphasis on modes that transcend a dependency upon sight. A central premise is that a shift in the aesthetic engagement afforded by hybrid forms of contemporary art has the potential to open up new sensory and cognitive engagements for blind and partially blind people. This is a subject that has rarely been addressed within the literature on contemporary arts or disability studies.\u003c\/p\u003e\n\u003cp\u003eBringing together leading international scholars and artists in the emerging field of ‘blindness arts’, including blind and partially blind artists, curators, advocates for inclusive practices and models of audio description, cognitive psychologists, and theorists of installation, performance and sound art, the book offers a detailed consideration of exemplars of such multisensory engagement, pre-eminently in works by blind or partially blind artists. 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It started as friends walking and will no doubt continue as such. For us, walking is an active engagement with the British landscape and its lore.\u003c\/p\u003e\n\u003cp\u003eAmongst other things, come with us to uncover some medieval graffiti, have a chat with writer\/ recording artist Justin Hopper, take a trip around Avebury’s Neolithic wonderland, absorb some blackened dungeon synth, and meet a Tudor weird walking inspiration.\u003c\/p\u003e\n\u003cp\u003eWeird Walk zine is your signpost... keep walking weird.\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eProduct details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBinding: Paperback\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength: 40 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDimensions: 149 x 210 mm (portrait)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePublisher: Weird Walk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eISBN- 5055869547963\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":56956555657591,"sku":"HMI-PHANTASMAGORIA-ZINE-WEIRDWALK1","price":6.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/ISSUEONE.webp?v=1774959749"},{"product_id":"ritual-no2-folk-horror-film-television","title":"Ritual No2 Folk Horror Film \u0026 Television","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003cdiv class=\"row\" id=\"product\"\u003e\n\u003cdiv class=\"large-12 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-6 large-6 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-12 large-12 columns\"\u003e\n\u003cdiv id=\"product\" class=\"row\"\u003e\n\u003cdiv class=\"large-12 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-6 large-6 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-12 large-12 columns\"\u003e\n\u003cdiv id=\"product\" class=\"row\"\u003e\n\u003cdiv class=\"large-12 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-6 large-6 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-12 large-12 columns\"\u003e\n\u003cdiv id=\"product\" class=\"row\"\u003e\n\u003cdiv class=\"large-12 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-6 large-6 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-12 large-12 columns\"\u003e\n\u003cdiv id=\"product\" class=\"row\"\u003e\n\u003cdiv class=\"large-12 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-6 large-6 columns\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"small-12 medium-12 large-12 columns\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"small-12 medium-12 large-12 columns\"\u003e\n\u003cp\u003e\u003cstrong\u003eWelcome back fools... to an exploration of folk horror and its uncanny adjacencies in film and television.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFrom doomed highwaymen to megalithic secrets,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRitual 2\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis alive with strange powers and arcane rites. 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We’re exploring its role in some of our favourite works of fiction, its associations with megaliths and ancient pagan cults in popular culture, its power in magical thinking, and some possible archaeological evidence for it.\u003c\/p\u003e\n\u003cp\u003eDelve into a world of witchcraft, megalithic monuments, and pagan survivals in hidden rural areas.\u003c\/p\u003e\n\u003cp\u003eFeaturing words by Ronald Hutton, Katy Soar, Verity Holloway, David Southwell (Hookland), Dee Dee Chainey, Mercedes Miller, John Reppion, and Maria J. Pérez Cuervo. Artwork by Paul Watson and Eli John. Edited by Maria J. 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Joshi, editor of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAmerican Supernatural Tales, The White People and Other Weird Stories\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eis\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ethe perfect introduction to the father of weird fiction.\u003c\/p\u003e\n\u003cp\u003eThe title story \"The White People\" is an exercise in the bizarre leaving the reader disoriented and on edge. 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Federici has become a crucial figurefor . . .a new generation of feminists' Rachel Kushner, author of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Mars Room\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eA cult classic since its publication in the early years of this century,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCaliban and the Witch\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist societies was transformed into a set of predictable and controllable mechanisms. 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And as his stories bled into reality so he became one of the first to report on the real-world consequences of cyberspace's growth and development.\u003cbr\u003e\u003cbr\u003eNow, with the dust settling on the first internet revolution, comes Gibson's first collection of non-fiction - essays from the technological and cultural frontiers of this new world.\u003cbr\u003e\u003cbr\u003eCovering a variety of subjects, they include:\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"a-text-bold\"\u003e- Metrophagy - the Art and Science of Digesting Great Cities\u003cbr\u003e- An account of obsession in 'the world's attic' - eBay\u003cbr\u003e- Reasons why 'The Net is a Waste of Time'\u003cbr\u003e- Singapore as 'Disneyland with the Death Penalty'\u003cbr\u003e- A primer on Japan, our default setting for the future\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThese and many other pieces, collected for the first time in \u003cspan class=\"a-text-italic\"\u003eDistrust that Particular Flavour\u003c\/span\u003e, are studded with revealing autobiographical fragments and map the development of Gibson's acute perceptions about modern life. 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Banks will love this book.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBinding: Paperback\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLength: 272 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDimensions: 153 x 234 mm (portrait)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePublisher: Viking\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":57058672410999,"sku":"HMI-PHANTASMAGORIA-DISTRUSTTHATPARTICULARFLAVOUR","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/81Xuq2Zt7pL._SY522_7e740b1c-dbd0-405e-b5cb-a69bebb322ee.jpg?v=1780412359"},{"product_id":"ro-robertson-skinny-dip","title":"Ro Robertson Skinny Dip","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFeaturing an essay by Eleanor Clayton, Head of Collections and Exhibitions at The Hepworth Wakefield, and a conversation with artist Alice Channer, \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eSkinny Dip\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003eoffers an in-depth survey of Ro Robertson's work over the past five years. Clayton’s essay delves into Robertson’s oeuvre and exhibition history, including The Hepworth Wakefield, Yorkshire Sculpture Park and The Sainsbury Centre\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eNorwich, culminating in the solo exhibition \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThe Ribs Begin to Rise\u003c\/em\u003e, \u003c\/span\u003e\u003cspan\u003eat the Northern Gallery of Contemporary Art, Sunderland. Comprising sculpture, works on paper, installation and video, \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThe Ribs Begin to Rise\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003ereveals the full gamut of the artist’s achievement to date. In the final section of the book, documented by photographer Camilla Greenwell, Robertson and artist Alice Channer walk the Coast Path of West Cornwall, discussing everything from influences such as Barbara Hepworth and Marlow Moss to ideas around collective bodies and industrial processes – and art as a love letter to place and community.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cb id=\"docs-internal-guid-26f418cc-7fff-69ee-2e88-57bcb1340123\"\u003eRo Robertson \u003c\/b\u003e(they\/them) (b. 1984, Sunderland, UK) is based in West Cornwall, at the historic Porthmeor Studios, St Ives.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eProduct details\u003c\/h2\u003e\n\u003cp\u003eLanguage: English\u003cbr\u003eBinding: Softback\u003cbr\u003eLength:  pages\u003cbr\u003eDimensions: 280 x 233mm (portrait)\u003cbr\u003ePublisher: Maximilliam William London\u003c\/p\u003e\n\u003cp\u003eISBN: \u003cspan\u003e978-1-0369-6641-6\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":57061937676663,"sku":"HMI-BOOKS- Ro Robertson","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/SkinnyDipBookFront_Petr_Photography_1024x1024_2x_7c101641-4712-416e-9857-3586acd1a348.webp?v=1777636927"},{"product_id":"glitch-feminism-a-manifesto","title":"Glitch Feminism: A Manifesto","description":"\u003cdiv itemprop=\"description\" id=\"scope_book_description\"\u003e\n\u003cp\u003eThe divide between the digital and the real world no longer exists: we are connected all the time. 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It has come as a shock to some AI researchers that a large neural net that predicts next words seems to produce a system with general intelligence. Yet this is consistent with a long-held view among some neuroscientists that the brain evolved precisely to predict the future the predictive brain hypothesis. In What Is Intelligence?, Blaise Aguera y Arcas takes up this idea that prediction is fundamental not only to intelligence and the brain, but to life itself and explores the wide-ranging implications. These include radical new perspectives on the computational properties of living systems, the evolutionary and social origins of intelligence, the relationship between models and reality, entropy and the nature of time, the meaning of free will, the problem of consciousness, and the ethics of machine intelligence. 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Already the Great Ones are there, and the dance will soon begin! The salve is here! Anoint yourself and come!'\u003c\/p\u003e\n\u003cp\u003eOne of the greatest writers of the strange and weird, Algernon Blackwood evolved from a teller of ghost stories to a pioneering master of such emergent fictional modes as cosmic horror and nature Gothic. In tales whose settings range from the eerie North Woods of Canada to the mysterious sands of the Egyptian desert, Blackwood blurs the boundaries between human and nonhuman, living and dead, beckoning the reader into strange borderlands where alien forces lurk, waiting for the chance to break through into our world.\u003c\/p\u003e\n\u003cp\u003eThis new selection of Blackwood's shorter fiction constitutes the most comprehensive critical edition of his work to date. Included here are such undisputed classics as 'The Wendigo', 'The Willows', and 'Ancient Sorceries', as well as two superbly unsettling novellas, 'The Man Whom the Trees Loved' and 'A Descent into Egypt', and ten other stories short and long, drawn from collections spanning Blackwood's long writing career. Aaron Worth's introduction and notes situate these tales in the context of Blackwood's own upbringing in an evangelical Victorian household, as well as in relation to such topics as late-imperial British history and the emergence of modern ecological thought.\u003c\/p\u003e\n\u003cp\u003eABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. 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A time will come - but I must not and cannot think!'\u003c\/p\u003e\n\u003cp\u003eH. P. Lovecraft (1890-1937) was a reclusive scribbler of horror stories for the American pulp magazines that specialized in Gothic and science fiction in the interwar years. He often published in Weird Tales and has since become the key figure in the slippery genre of 'weird fiction'. Lovecraft developed an extraordinary vision of feeble men driven to the edge of sanity by glimpses of malign beings that have survived from human prehistory or by malevolent extra-terrestrial visitations. The ornate language of his stories builds towards grotesque moments of revelation, quite unlike any other writer.\u003c\/p\u003e\n\u003cp\u003eThis new selection brings together nine of his classic tales, focusing on the 'Cthulhu Mythos', a cycle of stories that develops the mythology of the Old Ones, the monstrous creatures who predate human life on earth. 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On one side the \"alt right\" ranges from the once obscure neo-reactionary and white separatist movements, to geeky subcultures like 4chan, to more mainstream manifestations such as the Trump-supporting gay libertarian Milo Yiannopolous. On the other side, a culture of struggle sessions and virtue signalling lurks behind a therapeutic language of trigger warnings and safe spaces. The feminist side of the online culture wars has its equally geeky subcultures right through to its mainstream expression. Kill All Normies explores some of the cultural genealogies and past parallels of these styles and subcultures, drawing from transgressive styles of 60s libertinism and conservative movements, to make the case for a rejection of the perpetual cultural turn.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pdp-spec\"\u003e\n\u003ch2\u003ePublisher information\u003c\/h2\u003e\n\u003cp\u003e\u003ci\u003ePublisher:\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"publisher\"\u003eCollective Ink\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"isbn\"\u003e9781785355431\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eNumber of pages:\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"numberOfPages\"\u003e136\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eDimensions:\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan itemprop=\"height\"\u003e216\u003c\/span\u003e x \u003cspan itemprop=\"width\"\u003e140\u003c\/span\u003e x \u003cspan itemprop=\"depth\"\u003e9\u003c\/span\u003e mm\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eWeight:\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"weight\"\u003e148 g\u003c\/span\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eLanguage:\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"inLanguage\"\u003eEnglish\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":57081373458807,"sku":"BOOKS-Kill All Normies","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/Picture4_2bf64627-6640-4ae2-93cf-f52c2ae85485_1.jpg?v=1780411710"},{"product_id":"hellebore-3-the-malefice-issue","title":"Hellebore #3: The Malefice Issue","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003cp\u003eA5 magazine, 88 pages\u003cbr\u003ePrinted on silk coated paper. Perfect binding.\u003c\/p\u003e\n\u003cp\u003eMalefice (n): mal·e·fice \\?mal?f??s\\\u003cbr\u003eA piece of evil sorcery. An evil spell or enchantment.\u003c\/p\u003e\n\u003cp\u003eCurses and hexes are a recurring trope in folk horror and occult fiction. They’re active forces, invisible and unstoppable, disrupting the social order and threatening the Establishment.\u003c\/p\u003e\n\u003cp\u003eIn The Malefice Issue we explore the complex relationships of witchcraft and magic with structures of power, and analyse the fear of malefice throughout history. Where do we place the Other, and why do we dread it? Does it wander the untamed landscapes of the north? Is it hidden in the green meadows of the English Arcadia? Does it live within the walls of a respectable institution? Or has it travelled from a faraway land?\u003c\/p\u003e\n\u003cp\u003ePower and fear, subversion and repression, exclusion and belonging. The third issue of HELLEBORE is a history of our anxieties, because, as Shirley Jackson said, “to learn what we fear is to learn who we are”.\u003c\/p\u003e\n\u003cp\u003eFeaturing words by Catherine Spooner, Rebecca Baumann, Verity Holloway, Thomas Waters, Catherine Winter-Hébert and Finn Robinson, Thérèse Taylor, Maria J. Pérez Cuervo, and Colin J. McCracken. Artwork by Paul Watson, Nell Latimer, and Nathaniel Winter-Hébert. Edited by Maria J. Pérez Cuervo.\u003c\/p\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":57087366857079,"sku":"ZINES-Hellebore The Malefice Issue","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/Picture1_d8674019-14d7-46b7-86c3-3fcd477623f2.jpg?v=1778668141"},{"product_id":"hellebore-4-the-yuletide-special","title":"Hellebore #4: The Yuletide Special","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003cp\u003eA5 magazine, 92 pages - our biggest issue yet! \u003cbr\u003ePrinted on silk coated paper. Perfect binding.\u003c\/p\u003e\n\u003cp\u003eMidwinter. The shortest day, the symbolic death and rebirth of the Sun. It is a time of darkness, but also of hope and celebration. For this Midwinter special we’ve gathered stories to help us through the darkest months: ancient legends that may still be re-enacted, accounts from a frozen past, tales of ghosts and revenants and witches and warlocks, stories that bring chills into our living rooms. In this issue, sinister rituals unfold during the longest nights of the year, spirits drift through the icy landscapes of the Arctic, and churches are never safe havens.\u003c\/p\u003e\n\u003cp\u003eGather around the fire. Let’s gaze at the shadows lurking beyond the Christmas lights.\u003c\/p\u003e\n\u003cp\u003eFeaturing words by Katy Soar, Jackie Bates, John Callow, Verity Holloway, John Reppion, Shane McCorristine, Roger Clarke, and Elizabeth Dearnley. Artwork by Blood and Dust, Eli John, and Nathaniel Winter-Hébert. Edited by Maria J. Pérez Cuervo.\u003c\/p\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":57087370035575,"sku":"Zines-Hellebore The Yuletide Special","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/04cover.jpg_PORTRAIT.webp?v=1778668263"},{"product_id":"hellebore-5-the-unearthing-issue","title":"Hellebore #5: The Unearthing Issue","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003cp\u003eA5 magazine, 84 pages. \u003cbr\u003ePrinted on silk coated paper. Perfect binding.\u003c\/p\u003e\n\u003cp\u003eFor the ancients, the subterranean world was the realm of the dead; in the Medieval era it became the abode of demons. With earth we cover our dead. Embedded in our psyche is the idea that what has been buried ought not to return—at least not to this world.\u003c\/p\u003e\n\u003cp\u003eFrom M.R. James’s Templar whistle sticking out of the sands of an East Anglian beach to the demonic skull emerging from the mud in The Blood on Satan’s Claw, the act of unearthing in folk horror always brings back something long-forgotten, threatening, and uncanny.\u003c\/p\u003e\n\u003cp\u003eIn The Unearthing Issue we look at these stories to examine what once was buried and analyse the consequences of its disinterment. The re-emergence of cursed objects, human remains, and Martian spaceships threatens us with the repetition of past traumas and forgotten histories. But if the earth often acts as a repository of our darkest truths, the act of unearthing forces us to confront them. 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Pérez Cuervo.\u003c\/p\u003e","brand":"HMFE","offers":[{"title":"Default Title","offer_id":57087371215223,"sku":"ZINES-Hellebore The Unearthing Issue","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0605\/1332\/1191\/files\/Picture2_73cd8ff6-5425-4c76-9af3-f8c3866f8ef3.jpg?v=1778668393"},{"product_id":"hellebore-6-the-summoning-issue","title":"Hellebore #6: The Summoning Issue","description":"\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003cp\u003eA5 magazine, 92 pages.\u003c\/p\u003e\n\u003cp\u003ePrinted on silk coated paper. Perfect binding.\u003c\/p\u003e\n\u003cp\u003eFrom the Witch of Endor to Aleister Crowley, from the Satanic feminism of the suffragette era through to the current occult revival, The Summoning Issue delves into the history of witchcraft, magic, and the occult to analyse the impulses behind acts of conjuration: the thirst for forbidden knowledge, the pursuit of liberation, and the desire for wealth, status, and fame.\u003c\/p\u003e\n\u003cp\u003eSpirits or deities, angels or demons. The calling of a supernatural agent may bring power, but also comes with many risks. In these pages, games of cards usher in cloven-footed strangers, runic inscriptions conjure up demons, a communal warning is uttered every Bonfire Night, and the pagan dead rise from ancient barrows.\u003c\/p\u003e\n\u003cp\u003eHELLEBORE is a collection of writings and essays devoted to folk horror and the themes that inspire it: folklore, myth, history, archaeology, psychogeography, and the occult.\u003cbr\u003e\u003cbr\u003eFeaturing words by Christine Ferguson, Victoria Anne Pearson, Per Faxneld, Efram Sera-Shriar, John Reppion, Katherine Weikert, Verity Holloway, Matthew Melvin-Koushki, and Francis Young. Artwork by Courtney Brooke (Lightwitch), Ellen Rogers, and Nathaniel Hébert.\u003c\/p\u003e\n\u003cp\u003eEdited by Maria J. 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