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Passing By: Architectural Sculpture in Inter-War London (No. 47)
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Medieval and Modern: Direct Carving In the Work of Gill and Barlach (No. 46)
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Shallow Space: Modernism's Civilising Norm (No. 48)
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Thomas Woolner: Seeing Sculpture Through Photography (No.49)
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New Sculpture in Britain (No. 79)
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Sensing Sculpture at the time of the French Revolution (No.51)
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Katrina Palmer (No. 78)
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Benedict Read's life in sculpture: His father never told him about things like this (No. 77)
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Ian Breakwell's UNWORD, 1969-70: early performance art in Britain (No. 52)
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The Virtues of Things (No. 75)
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City Sculpture Projects 1972 (No. 76)
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The 'Open Secret' of Alfred Gilbert's Male Nudes (No. 53)
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Russian Berlin in the 1920's (No. 54)
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Drawing on Sculpture (No. 55)
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By Leafy Ways (No. 58)
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A Kick in the Teeth (No.57)
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Prospects and Interiors (No. 59)
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The Sculpture in the Home Exhibitions (No. 60)
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Christine Kozlov: Information (No. 74)
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Sculptors' Papers from the Henry Moore Institute Archive (No. 71)
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Active Archives (No. 73)
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Artists' Lives (No. 69)
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My Life by Anton Lesseman (No. 68)
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Books and Sculpture (No. 67)
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Henry Moore Foundation
