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All in the Same Boat: Migratory Passages in Contemporary Sculpture (No. 82)
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The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture (No. 81)
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Lungiswa Gqunta (No. 80)
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New Sculpture in Britain (No. 79)
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Katrina Palmer (No. 78)
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Benedict Read's life in sculpture: His father never told him about things like this (No. 77)
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City Sculpture Projects 1972 (No. 76)
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The Virtues of Things (No. 75)
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Christine Kozlov: Information (No. 74)
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Active Archives (No. 73)
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A Study of Modern Japanese Sculpture (No. 72)
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Sculptors' Papers from the Henry Moore Institute Archive (No. 71)
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D'Arcy Thompson's On Growth and Form (No. 70)
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Artists' Lives (No. 69)
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My Life by Anton Lesseman (No. 68)
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Books and Sculpture (No. 67)
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1913: The Shape of Time (No. 66)
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Bad Copies: the drawings of Phyllida Barlow (No. 65)
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Helen Chadwick's 'Ego Geometrica Sum': a biography (No. 64)
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Mario Merz: What Is to Be Done? (No. 63)
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A Rough Equivalent (No. 62)
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Box, Body, Burial: The Sculptural Imagination of Keith Arnatt (No. 61)
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The Sculpture in the Home Exhibitions (No. 60)
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Prospects and Interiors (No. 59)
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