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Collection: Essays on Sculpture

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Objects of the Traumatic Surreal (No. 83)

Objects of the Traumatic Surreal (No. 83)

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All in the Same Boat: Migratory Passages in Contemporary Sculpture (No. 82)

All in the Same Boat: Migratory Passages in Contemporary Sculpture (No. 82)

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The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture (No. 81)

The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture (No. 81)

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Lungiswa Gqunta (No. 80)

Lungiswa Gqunta (No. 80)

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New Sculpture in Britain (No. 79)

New Sculpture in Britain (No. 79)

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Katrina Palmer (No. 78)

Katrina Palmer (No. 78)

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Benedict Read's life in sculpture: His father never told him about things like this (No. 77)

Benedict Read's life in sculpture: His father never told him about things like this (No. 77)

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City Sculpture Projects 1972 (No. 76)

City Sculpture Projects 1972 (No. 76)

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The Virtues of Things (No. 75)

The Virtues of Things (No. 75)

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Christine Kozlov: Information (No. 74)

Christine Kozlov: Information (No. 74)

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Active Archives (No. 73)

Active Archives (No. 73)

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A Study of Modern Japanese Sculpture (No. 72)

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A Study of Modern Japanese Sculpture (No. 72)

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Sculptors' Papers from the Henry Moore Institute Archive (No. 71)

Sculptors' Papers from the Henry Moore Institute Archive (No. 71)

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D'Arcy Thompson's On Growth and Form (No. 70)

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D'Arcy Thompson's On Growth and Form (No. 70)

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Artists' Lives (No. 69)

Artists' Lives (No. 69)

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My Life by Anton Lesseman (No. 68)

My Life by Anton Lesseman (No. 68)

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Books and Sculpture (No. 67)

Books and Sculpture (No. 67)

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1913: The Shape of Time (No. 66)

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1913: The Shape of Time (No. 66)

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Bad Copies: the drawings of Phyllida Barlow (No. 65)

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Bad Copies: the drawings of Phyllida Barlow (No. 65)

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Helen Chadwick's 'Ego Geometrica Sum': a biography (No. 64)

Helen Chadwick's 'Ego Geometrica Sum': a biography (No. 64)

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Mario Merz: What Is to Be Done? (No. 63)

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Mario Merz: What Is to Be Done? (No. 63)

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A Rough Equivalent (No. 62)

A Rough Equivalent (No. 62)

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Box, Body, Burial: The Sculptural Imagination of Keith Arnatt (No. 61)

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Box, Body, Burial: The Sculptural Imagination of Keith Arnatt (No. 61)

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The Sculpture in the Home Exhibitions (No. 60)

The Sculpture in the Home Exhibitions (No. 60)

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