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The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture (No. 81)
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Drawing in the Dark
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Henry Moore: The Helmet Heads
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Lungiswa Gqunta (No. 80)
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Quatremère de Quincy's Role in the Revival of Polychromy in Sculpture (No. 10)
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On Artistic Knowledge: Notes for a Minor Platonic Exercise (No. 11)
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Duel (No. 12)
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Sleep in Sculpture: Babies from the Bowes (No. 13)
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Peter Scheemakers: 'The Famous Statuary' 1691-1781 (No. 14)
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Sold outChromaphobia (No. 15)
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Michael Kidner: Making Maps, Looking for Landmarks (No. 16)
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'More and Less': The Early Work of Richard Long (No. 17)
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Eric Gill in Yorkshire (No. 18)
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Rodin: Rhythm and Ritual (No. 19)
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Peter Shelton: Soul Soundings (No. 20)
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Work and the Image: The image of the worker in the work of the sculptor (No. 21)
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The Space of the Page: Sequence, Continuity & Material (No. 22)
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Gilbert Bayes (1872-1953): From Arts and Crafts to the Light Monumental (No. 23)
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Sampled: The use of fabric in sculpture (No. 24)
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Frederick Thrupp (1812-1895): Survivals from a Sculptor's Studio (No. 25)
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The Encounter & The Struggle: Lipchitz Maquettes 1928 - 1942 (No. 26)
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Etienne-Martin (No. 27)
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Sculpture in Literature (No. 28)
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Attending to the Barely Made (No. 29)
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Henry Moore Foundation
