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Attending to the Barely Made (No. 29)
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Ornament as Sculpture (No. 30)
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The Cult of the Statuette In Late Victorian Britain (No. 31)
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Le Corbusier-Savina (No. 32)
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Things to Come: Eric Kennington's War God (No. 33)
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Enchanted Monuments: Inside and Outside Jean Dubuffet (No. 34)
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'The Conquest of Space': On the Prevalence of Maps in Contemporary Art (No. 35)
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Shine: Sculpture and Surface in the 1920s and 1930s (No. 36)
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Model Forms: Sculpture/Architecture in 50s and 60s' Britain (No. 37)
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Gaston Lachaise and 'Elevation' 1912-27 (No. 38)
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A Fine Tomorrow: Sculpture and Socialism in mid-century Britain (No. 39)
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A Context of Commitment: The Sculpture of Betty Rea (No. 40)
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Refashioning the Figure: The sketchbooks of Archipenko c.1920 (No. 41)
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Making History: Edinburgh 1845 (No. 42)
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Nicholas Pope: the Sacred and the Profane (No. 43)
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First Things: Sculpture and Maternity (No. 44)
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The Break-Up of New British Sculpture (No. 45)
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Medieval and Modern: Direct Carving In the Work of Gill and Barlach (No. 46)
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Passing By: Architectural Sculpture in Inter-War London (No. 47)
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Shallow Space: Modernism's Civilising Norm (No. 48)
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Thomas Woolner: Seeing Sculpture Through Photography (No.49)
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Sold outNew Sculpture in Britain (No. 79)
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The Sculpture of Stephen Gilbert and Jocelyn Chewett in Post-War Paris (No.50)
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Sensing Sculpture at the time of the French Revolution (No.51)
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Henry Moore Foundation
