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Rodin: Rhythm and Ritual (No. 19)
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Eric Gill in Yorkshire (No. 18)
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Work and the Image: The image of the worker in the work of the sculptor (No. 21)
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Gilbert Bayes (1872-1953): From Arts and Crafts to the Light Monumental (No. 23)
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The Space of the Page: Sequence, Continuity & Material (No. 22)
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Sampled: The use of fabric in sculpture (No. 24)
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The Encounter & The Struggle: Lipchitz Maquettes 1928 - 1942 (No. 26)
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Frederick Thrupp (1812-1895): Survivals from a Sculptor's Studio (No. 25)
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Etienne-Martin (No. 27)
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Sculpture in Literature (No. 28)
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Ornament as Sculpture (No. 30)
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Attending to the Barely Made (No. 29)
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Le Corbusier-Savina (No. 32)
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The Cult of the Statuette In Late Victorian Britain (No. 31)
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Things to Come: Eric Kennington's War God (No. 33)
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Enchanted Monuments: Inside and Outside Jean Dubuffet (No. 34)
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'The Conquest of Space': On the Prevalence of Maps in Contemporary Art (No. 35)
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Model Forms: Sculpture/Architecture in 50s and 60s' Britain (No. 37)
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A Context of Commitment: The Sculpture of Betty Rea (No. 40)
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Gaston Lachaise and 'Elevation' 1912-27 (No. 38)
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A Fine Tomorrow: Sculpture and Socialism in mid-century Britain (No. 39)
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Refashioning the Figure: The sketchbooks of Archipenko c.1920 (No. 41)
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Making History: Edinburgh 1845 (No. 42)
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First Things: Sculpture and Maternity (No. 44)
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