Staff discount list – Page 8 – Henry Moore Foundation

Chromaphobia (No. 15)

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Chromaphobia (No. 15)

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'More and Less': The Early Work of Richard Long (No. 17)

'More and Less': The Early Work of Richard Long (No. 17)

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Rodin: Rhythm and Ritual (No. 19)

Rodin: Rhythm and Ritual (No. 19)

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Eric Gill in Yorkshire (No. 18)

Eric Gill in Yorkshire (No. 18)

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Work and the Image: The image of the worker in the work of the sculptor (No. 21)

Work and the Image: The image of the worker in the work of the sculptor (No. 21)

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Peter Shelton: Soul Soundings (No. 20)

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Peter Shelton: Soul Soundings (No. 20)

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Gilbert Bayes (1872-1953): From Arts and Crafts to the Light Monumental (No. 23)

Gilbert Bayes (1872-1953): From Arts and Crafts to the Light Monumental (No. 23)

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The Encounter & The Struggle: Lipchitz Maquettes 1928 - 1942 (No. 26)

The Encounter & The Struggle: Lipchitz Maquettes 1928 - 1942 (No. 26)

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Sampled: The use of fabric in sculpture (No. 24)

Sampled: The use of fabric in sculpture (No. 24)

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Frederick Thrupp (1812-1895): Survivals from a Sculptor's Studio (No. 25)

Frederick Thrupp (1812-1895): Survivals from a Sculptor's Studio (No. 25)

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Sculpture in Literature (No. 28)

Sculpture in Literature (No. 28)

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Etienne-Martin (No. 27)

Etienne-Martin (No. 27)

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Ornament as Sculpture (No. 30)

Ornament as Sculpture (No. 30)

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Attending to the Barely Made (No. 29)

Attending to the Barely Made (No. 29)

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The Cult of the Statuette In Late Victorian Britain (No. 31)

The Cult of the Statuette In Late Victorian Britain (No. 31)

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Things to Come: Eric Kennington's War God (No. 33)

Things to Come: Eric Kennington's War God (No. 33)

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Le Corbusier-Savina (No. 32)

Le Corbusier-Savina (No. 32)

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Enchanted Monuments: Inside and Outside Jean Dubuffet (No. 34)

Enchanted Monuments: Inside and Outside Jean Dubuffet (No. 34)

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'The Conquest of Space': On the Prevalence of Maps in Contemporary Art (No. 35)

'The Conquest of Space': On the Prevalence of Maps in Contemporary Art (No. 35)

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Shine: Sculpture and Surface in the 1920s and 1930s (No. 36)

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Shine: Sculpture and Surface in the 1920s and 1930s (No. 36)

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Model Forms: Sculpture/Architecture in 50s and 60s' Britain (No. 37)

Model Forms: Sculpture/Architecture in 50s and 60s' Britain (No. 37)

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Gaston Lachaise and 'Elevation' 1912-27 (No. 38)

Gaston Lachaise and 'Elevation' 1912-27 (No. 38)

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A Fine Tomorrow: Sculpture and Socialism in mid-century Britain (No. 39)

A Fine Tomorrow: Sculpture and Socialism in mid-century Britain (No. 39)

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A Context of Commitment: The Sculpture of Betty Rea (No. 40)

A Context of Commitment: The Sculpture of Betty Rea (No. 40)

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